Tag: ElephantMan

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A Letter To Reggae Sumfest – Job Well Done
by J.D. Smith  July 27, 2019

Dear Sumfest,

It was a pleasure to have seen you again after a year of your absence. How we longed to see you, and when you finally arrived what joy you brought to us. Dancehall Night brought us the Spice, The Koffee and even a little Chronixx to get us by. Beenie Manand Bounty Killer had us rocking through the night with their legendary friendly fight. Govana did the most, Aidonia brought it over the top, Jahvillani was flagrant, Agent Sasco once again proved he was top notch!

Dexta Daps, as usual, had the ladies magic, Elephant Man and Munga Honorableproved they still have it. I didn’t even blink in an effort not to miss, despite that even at 8 am I didn’t see the 6IX. Just like that dancehall night was over leaving thrilling memories on which to reminisce, but wait, there was one night to go still.

Night two, aka Reggae Night, was an upgrade from the beautiful night before. Chris Martin sang his “Cheaters Prayer,” Romain “Bellowed,” and Beres “Roared” with the ladies hanging to his every note. Protoje was a master, Lila Ike’s introduction seemingly assured she belonged in front of the crowd. Jah 9 was mystical, Dalton Harris thrilled us with his range and sought clarity, and Etana “The Strong One” echoed her quality. Buju Banton was left for last, and the Gargamel blasted his vocals across the venue as fans craved more of the songs on the legends musical menu, needless to say, he delivered.

Then there was nothing to look forward to, and our short time together has again passed, no more sound clash, or Sumfest Street Dance no more standing aghast at talented Jamaicans taking the stage apart. Thank you Downsound and Joe Bogdanovich for investing in our Jamaican talents.

So it’s until next year again and no doubt I will miss you. See you again soon.

Yours Sincerely.

J.D. Smith
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Published:Sunday | June 23, 2019 | 12:16 AMSade Gardner – Gleaner Writer
Ian Allen

Elephant Man is a music junkie, period.

A saunter through his mansion in Havendale, St Andrew, revealed stereos blasting local radio station ZIP 103FM near the poolside while music from a flatscreen TV filled the halls of the main floor.

Ele himself is a walking music library. For almost every life experience he recalled, he trailed off in a beat, thumping his chest, snapping his fingers, and deejaying his best impersonation of Bounty Killer, Shabba Ranks, Beenie Man, Mad Cobra, Simpleton et al, with joy in his eyes and gratification on his face.

He attained no formal training for a talent that would earn him scores of chart-topping singles. Instead, the Seaview Gardens-bred artiste honed his craft by toasting among friends and isolating himself in a room with Celine Dion on repeat, as he taught himself to reach challenging notes.

“Musically, mi did always know a waa gwaan. My house did deh two gate from Shabba Ranks’ house. Bounty Killer live bout five minutes up the road. Ninjaman never come from Seaview, but anytime him come, we run up the road and look pon him from head to toe cause a our god that. We learn from them man deh, even Supercat. Dem tek music serious and nuh play round wid performance,” Ele told The Sunday Gleaner.

‘We’ included childhood friends Nitty Kutchie and Boom Dandimite, with whom he would later form Scare Dem Crew, with Harry Toddler from Waltham Park Road, Kingston.

Though he had an endorsement from Bounty (he even got a gig cutting grass for his mother, Miss Ivy), Ele’s mother did not approve of his musical ambitions.

Given name Oneil Bryan, the Norman Manley High School student earned his moniker through his ‘Dumbo’ nickname derived from his sizable ears. First deejaying on ‘Vietnam corner’ in Phase One, the 16-year-old took his skills to the neighbouring Waterhouse community at King Jammys studio, where things took a new turn.

“Jammys and everybody start record Killer, and Killer seh him buss, but him friend dem still deh deh. We seh come mek we start Scare Dem Crew cause we nah go buss solo,” he said. “Killer used to call we out pon shows, and a so we start get recognised.”

Ele fashioned the idea of members dyeing their hair to distinguish themselves from other crews, and Toddler was game. Kutchie kept his hair black, but Dandimite later got on board. With tracks like Many Many, Nuh Dress Like Girl, and Girls Every Day, the group bore success before disbanding in 1999.

BIGGEST RECORD
Dancehall was on a new wave by the new millennium, and the following year produced Elephant Man’s solo album debut, Comin’ 4 U, on Greensleeves Records. His biggest record is the 2003 dance number Pon De River, Pon De Bank, which spearheads a slew of dance hits like Signal the Plane, Blase, Scooby Doo, and Fan Dem Off complementing earlier tracks Online and Log On.

His catalogue supports his affinity for music, with a range of sampled works like Bad Man a Bad Man, remixed from R. Kelly’s The World’s Greatest; Willie Bounce, sampled from Gloria Gaynor’s I Will Survive, and Bun Bad Mind, a take on the gospel single Hear My Cry Oh Lord by Marvia Providence.

His star factor was supported by his signature lisp, spirited performances, and variegated outfits, and it did not take long for international acts to notice. His collaborative projects boast names like Janet Jackson, Busta Rhymes, Mariah Carey, Lil’ Jon, and Kat Deluna. He also did a stint at P Diddy’s Bad Boy Records, which released his Grammy-nominated album, Let’s Get Physica l, in 2008.

Growing fame accompanied some bumps in the road. Father to 20 children, Elephant Man’s personal life has been blasted in the media, with claims that he is not an active father. Then there were the court cases, a repossessed car, and other rumours swirled. “We’ve been through it. When you’re a likkle youth coming from nothing to something, people a go talk things, but at the end of the day, never mek a rumour be true,” he said. “Me take care of my kids, but sometimes you and the mother have a dispute, and you know how that go. Memba mi deh ya good one time and dem seh Ele have AIDS. Me seh, weh dat come from? Mi nuh dead, mi deh ya. That’s how people is. Me stay strong cause the fittest of the fittest shall live, and God nuh waan no weakness inna Him camp.”

Now 42 years old, he recently completed a European tour and is getting ready for festivals like Reggae Sumfest and Reggae Rotterdam in July. He still assesses the dance circuit and gives kudos to artistes like Ding Dong and Chi Ching Ching for continuing to spread Jamaica’s dance culture.

And for that little kid or music fanatic who happens to stumble across the history books of the entertainer’s life, he hopes to be immortalised as “that hard-working dancehall artiste who took dancehall to that level like the Reggae Boyz. Just like yuh can pick out the footballers who did certain things, when it comes to dancehall, you should be able to pick out Ele in the top five and say he did this or that. I’ve gotten a fair run. Me sell gold, me get Grammy-nominated, me fanbase large, and there is proof to show it.”

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“Elephant Man returns to Sumfest after five years”

by
Sade Gardner – STAR Writer
June 19, 2019
 
It has been five years since #ElephantMan touched the Reggae Sumfest stage, but his zestful performances have not changed. The full force of the ‘Energy God’ will be on show when he makes his return on Festival Night One at the Catherine Hall Entertainment Complex in #MontegoBay, St James, on July 19.
 
“We always bring a good and crazy show for the people dem. The ‘Energy God’ never change. We still a climb on stage. We still a jump inna di crowd. We still a do all of that,” he told THE STAR.
 
“The last time we do all of that, dem seh dem a sue me fi mash up dem instruments. So we nah go bring it to da level deh, where we a mash up nothing or hurt nobody, but yuh done know we giving the people the energy non-stop.”
 
The Crazy Hype deejay was a staple performer on the show, making appearances for 10 consecutive years, before deciding to take a step back. His decision was motivated by a few reasons, including wanting to create a demand and longing for his interactive sets.
 
“I’ve been doing it for so long, and sometimes you have to give it a breather. Nobody nuh waah drive one car for 30 years. You a go want a change. So me just seh, mek me give it a break and mek the people see me fresh again,” he said.
 
“They called me two times after the last time I performed, but the price never did too ‘hundred’ for me, and the next time dem call, I had different obligations. Even concerts like Best of the Best I used to do every year and stopped. Yuh nuh want it reach a point where when you go on stage, people seh dem tired fi see you and dem see you last year, the year before and the year before. No. Yuh fi mek dem embrace back yuh presence and seh, we haven’t seen you for a while on the stage.”
 
Since his last appearance, the festival was acquired by businessman Joe Bogdanovich from previous principals Johnny Gourzong, Robert Russell and Tina Davis. Elephant Man commended Bogdanovich for altering the festival nights – excluding the former international nights to highlight more local acts.
 
“Me like the vibes and direction weh Joe take it to. We might not have no international artistes, but him put out a 100 per cent fi di Jamaican artistes and make it our festival, and that is good,” Elephant Man said.
 
“Him captivate the people from abroad wid the grass roots and let dem know you’re not coming here to see Akon or Mariah Carey. You’re coming here to see nothing but dancehall. If you look on the line-up, it’s all ‘gas pedal’ non-stop. There is a different variety of artistes, and everybody is excited for Reggae Sumfest, so it’s gonna be crazy.”