More female artistes across the reggae and dancehall genres will be getting the chance to shine at a major music festival this year. Promoters of Reggae Sumfest have revealed that the 2019 line-up will include more female artistes as they believe that the women in the industry have been improving over the past few years.
Speaking with The Gleaner, CEO of Downsound Entertainmen, and chief organiser of Reggae Sumfest, Joe Bogdanovich, revealed that outside of ‘Dancehall Queen’ Spice, the Sumfest line-up this year will include the likes of fast-rising dancehall artistes Dovey Magnum and Shauna Chyn. He said that more announcements will be made in the coming weeks as more acts will be added for dancehall and reggae nights.
“I may have some more surprises up my sleeve as far as female performers are concerned, but I can’t talk about that just yet. All I can say is that we will be having more female performers at this year’s Reggae Sumfest. The females have just been getting a lot better. They’re more competitive, and more people want to see them. And so, for us, it was just a question of recognising what the patrons want and giving that to them,” he said. He continued, “Dovey Magnum will be there, and we’re looking forward to seeing what she brings to the stage. She has an underground popularity, and so we want to see what she can do. Shauna Chyn is also going to be there, and she, too, has been making some moves in the industry. I’m also looking forward to what she delivers.”
In addition to the increased number of female artistes on the line-up, Bogdanovich revealed that Sumfest 2019 will be supporting artistes from the Second City. Like they did last year, Sumfest organisers will give Montego Bay artistes their time to shine onstage. “We’re gonna also feature some of the young artistes who made a big impression last year. This year, the group that’s really hot out of Montego Bay is the 6ixes, and we’re supporting Montego Bay. We will be giving the 6ixes an opportunity to shine. That group is led by Squash, and all the artistes are very talented. Chronic Laws is also very good. They’re all just so talented, and we want to show them that we recognise them. Rygin King broke out last year after Reggae Sumfest, and that’s the first that’s ever happened on the show, where we break a new artiste. But that goes to show the kind of dynamics that we’re pushing and developing at Reggae Sumfest with this current administration. We’re blessed with so much talent in Jamaica, and we at Reggae Sumfest recognise that.”
For those who missed Buju Banton’s performance at the National Stadium last Saturday, the chance to see the Gargamel in his element will roll around again this summer at Reggae Sumfest 2019.
The Sumfest team made the revelation on Sunday morning after the Long Walk to Freedom concert wrapped up inside the National Stadium.
‘Sumfest to B.B.C.’ (referring to Buju, Beres Hammond and Chronixx), made the rounds on social media and in print, as the show’s organisers revealed the artistes set to headline the big nights of this year’s festival.
In an interview with THE STAR, CEO of Downsound Entertainment and chief organiser of Reggae Sumfest, Joe Bogdanovich, revealed that talks between Buju and his team began last December when he was released from prison.
“He respects the festival and the reach we have and he wanted to do the show. He just didn’t want us to advertise before his show and so we held off,” he said, stating that he expects Banton’s Sumfest appearance to be just as good as Saturday. “Buju is doing great things as he exhibited the other night, and I think he’s going to be amazing. He’s going to do four shows before us in July, and by then he will only get better. He’s going to get re-familiarised with everything and he’s going to be even more excited. I expect more energy, more interaction, just more of everything.”
Bogdanovich would not reveal how deep he had to dig in his pockets to ensure the Gargamel would grace the Sumfest stage, but says he is certain it will be money well spent.
“I can’t tell you that (the fee),” he said. “All I can say is that we listen to our patrons and we try our best to give them what they want and right now, they want Buju.”
He also spoke about Hammond and Chronixx, the other two headliners.
“The people love Beres, they love Buju and they love Chronixx, so we came up with the B.B.C. idea. This line-up and festival is very special, and I think it’s going to be very hard to beat,” he said. “There’s been a very strong response, the tickets are selling so fast already. I think the VIP and ultra-VIP are the ones that are really hot right now. People are understanding that it’s a seven-day festival, and so they’re also booking the pre-events as well. We’re feeling very positive about the show and we expect things will only get better as we get closer to summer.”
Bogdanovich added that although the headline acts announced are crowd pullers, the entire Sumfest line-up will be enticing.
He explained that as the show date draws closer, he will have several surprise announcements.
“Both Friday night and Saturday night will be filled with great music from some great artistes,” he said. ‘I can’t reveal all the things I have in store just yet but just know that we have some surprises to come. Sumfest is keen on supporting young females so expect more women on the line-up this year. We’re also very supportive of young artistes. The growth of the music is what we will be supporting this year. It’s important to support the future in the present and that’s what we will do.”
KINGSTON, Jamaica — Although the line-up for Reggae Sumfest 2019 is yet to be announced, worldwide interest in this year’s renewal is already being evaluated through early ticket sales.
According to the promoters the results showed that excitement is already high among patrons for 27th staging of the iconic event.
“Ticket sales have gotten off to a running start, following a early bird ticket flash sale inclusive of both general admission and VIP passes that sold out in less than the 48 hours allotted for the online sale,” their release said.
Commenting on the already high demand for tickets, Downsound Entertainment (DSE) boss, Joe Bogdanovich noted that, although it is still early in the year, there was such strong demand for tickets that they decided to do a short early bird sale, to offer discounted prices to our loyal patrons.
“Even we were a bit surprised at how quickly it sold out. This is a great sign, it shows just how strong the Sumfest brand is, and how much support there is for the event, both in and outside Jamaica. People love the event, the music and the overall experience of being in Jamaica surrounded by the amazing culture,” Bogdanovich said.
Sumfest 2019 promises to be one for the books, with an impressive schedule of events leading up to the greatly anticipated concert nights on July 19 and 20.
The week of events is expected to kick off on July 14 with the Sumfest Mawnin Medz beach party, followed by the Street Dance, All White Party, All Black Blitz Party, Global Sound Clash and the Reggae Sumfest Symposium.
Josef Bogdanovich, representing Reggae Sumfest 2018, the award recipient in the category of entertainment at the RJRGLEANER Honour Awards 2018, held at The Jamaica Pegasus hotel in New Kingston earlier this month.
The twin-island republic of Trinidad and Tobago, which has been selected as the first place to kick off the Reggae Sumfest launch parties for 2019, also enjoys another first. It’s the first time that the reggae festival will have a launch in that soca and dancehall-loving Caribbean island, and according to Downsound Entertainment boss Josef Bogdanovich, the expectations are high.
Bogdanovich told The Gleaner that the Trinidad-based Caribbean Airlines has jumped on board as the presenting sponsor for the week-long festival, which gets underway on July 14 with the Sumfest Mawnin Medz beach party, followed by the Street Dance, All-White Party, All-Black Blitz Party, Global Sound Clash, and the Reggae Sumfest Symposium.
“We are happy to have Caribbean Airlines on board, and they have some great packages on offer. We’re also having an eye-catching promotional campaign in Trinidad to encourage support for Reggae Sumfest from the Caribbean,” Bogdanovich explained.
The Trinidad launch is a little over a month away. It takes place on March 29, after which there will be the launch in New York on April 17; Montego Bay on May 15, and Kingston on June 2.
The organisers are also looking at the possibility of doing one in London as well, even against the background of a festival that has attained global reach via live streaming. “We are looking to spread our reach internationally and, therefore, London is ideal,” Bogdanovich said, adding that the Jamaica Tourist Board is on board. “The aim of this strong marketing approach is to attract visitors to the island and fill hotel rooms.”
With preparations for the greatest reggae and dancehall festival in high gear, reports are that early-bird ticket sales are off to a good start, with online tickets selling out in less than two days.
A press release from the organisers stated: “Ticket sales have gotten off to a running start, following a early-bird ticket flash sale, inclusive of both general admission and VIP passes that sold out in less than the 48 hours allotted for the online sale.”
Bogdanovich also told The Gleaner that almost every act has been confirmed for this year’s line-up, but the only names released so far are Jah9, Tarrus Riley and Protoje. He promised, however, that he will have a big announcement soon.
“I do big things, and this one will be really big,” an excited Bogdanovich reiterated.
The 27th staging of Reggae Sumfest takes place July 14-20 in Montego Bay, St James.
He died nearly four decades ago, but Bob Marley still casts a long shadow across Jamaica. From 8ft murals of him smoking spliffs as big as traffic cones and the reggae beats vibrating from every speaker to his face gazing up from jars of shoe polish, he is everywhere: a cipher for the country’s music, politics, heat, chaos and beauty.
It is, of course, a cliché to go to Jamaica and wax lyrical about Marley, but until you visit, it is impossible to understand how integral he is to the island’s identity. Especially when you’re there, as I was, for Reggae Sumfest, Jamaica’s largest concert festival, with a sound system loud enough to make your chest vibrate. Damian Marley, the youngest of Bob’s 12 children, headlines on the final night, stamping across a stage blazing with lights, sampling his father’s “War” and “Exodus”.
My first stop, though, is quite different. From the hotel in Ocho Rios on the north coast, we drive to the capital Kingston on the south-east coast along a new motorway that cuts through the mountains, arriving after an hour-and-a-half at the Culture Yard. This is the government yard in Trench Town where a teenage Marley lived with his mother in the 60s. His battered VW van stands in a corner of the small, dusty estate, and his narrow, single bed is tucked inside one of the buildings.
There is always a tour guide on hand to show visitors around. Donnette “Sophia” Dowe, who is in charge of the yard, takes me through concrete rooms, sweltering under tin roofs, pointing to photographs of artists including Jimmy Cliff, Peter Tosh and Bunny Wailer. They all lived nearby throughout the 50s and 60s, spearheading a sound that would come to be known as reggae, after Toots and The Maytals’ 1968 “Do The Reggay”.
Outside the yard, in a weed-scented reverie, half a dozen men sit in the shade of a mango tree. One pulls an armful down, hands me one and tells me to eat the thing whole, biting straight into the green skin. This, they tell me, is the real Kingston – although, they press urgently, it is safe for tourists. Jamaica has had some bad press recently. During my visit, a state of emergency in Kingston has just come to an end, and there is one still ongoing in Montego Bay. Some care is taken over where I can go and what I can see, but I never feel unsafe.
From Trench Town, I head to the house on Hope Road that Marley bought when he found success. “I’ve brought the ghetto uptown,” he told a journalist in 1979, when she asked if he found it difficult to keep in touch with his roots. The road runs from the foothills of upper Kingston to the capital city’s palm-dotted waterfront.
Today the house is the Bob Marley Museum, processing more than 10,000 visitors every year. This tour is far more polished, capitalising upon the Marley legacy in a clearly lucrative venture, but it does give some interesting insights into his life as a star. Our group trundles around, peering into his recording studio, bedroom and kitchen. Photos of him cover every wall: on tour, playing football, frowning in front of a mixing desk, sitting on the house’s front steps.
Montego Bay is where a lot of tourists stay in Jamaica – and a 10-minute drive away is the Rastafari Indigenous Village in St James. To reach it, you must take off your shoes and wade through a river lined with sharp rocks. First Man – who meets my group – strides across. Along with two others, he founded the village a decade ago to show the cultural contribution of Rastafari to Jamaica.
They give us coconut water and fruit from the trees, in keeping with the Rastafari commitment to an “ital”, or natural diet, as First Man describes a philosophical worldview that prioritises debate.
Stir it up
Two dreadlocked men and a woman dressed in a long black dress play Nyabinghi music – a blend of 19th-century gospel music and African drumming which contains ideas of black redemption and repatriation, and is used to reach states of heightened spirituality.
Rastafari was founded in the 30s but spread globally thanks to Marley. He, and artists from Dennis Brown to Burning Spear used reggae as a medium for Rasta messages. “It means social consciousness, black empowerment and Marcus Garvey,” says First Man.
Over in Montego Bay, Reggae Sumfest starts at 9pm, gets going at midnight and runs until dawn. The sound clash on Thursday night – a reggae and dancehall battle between rival DJs – is the most frenetic, the air filled with klaxons and smoke. The festival itself, on the Friday and Saturday, is more relaxed. The audience is half tourists, half locals, many of whom set up deck chairs. We watch Ding Dong, Popcaan, Bounty Killer, Spice and Beres Hammond. But everyone stands up when Damian Marley arrives.
When to go
Jamaica has a tropical climate, and daytime temperatures are about 30°C all year round, with little difference between winter and summer.
During the rainy season, from late April to October, it is hot and muggy. Rainfall occurs mainly in the form of thunderstorms in the late afternoon. The most pleasant weather is in November and December.
British Airways flies from Gatwick to Kingston, while Virgin Atlantic and TUI fly from Gatwick to Montego Bay, from around £500.
Where to stay
TheJamaica Innis an upscale resort in Ocho Rios dating from the 50s, set on a white-sand beach overlooking the Caribbean Sea. Doubles from £335, room only.
TheJamaica Pegasus Hotelis in the financial and business district of Kingston. Doubles from £252, room only.
TheWestender Innis a family-owned hotel in Negril that blends island charm with laid-back luxury. Doubles from £75, room only.
Where to eat
Get a taste of real Jamaica atTracks & Records, the sports-music bar owned by the Olympic champion Usain Bolt. 67 Constant Spring Road, Kingston. (There are spin-offs on Main Street, Ocho Rios, and Gloucester Avenue, Montego Bay, too). Try the curried mutton, jerk buffalo wings or coconut and cassava shrimp, or a traditional soup, such as country-style janga.
Pier Oneis an open-air restaurant and music venue on a dock in Montego Bay serving dishes such as grilled conch and jerk chicken. For dessert, try the hot skookie (skillet cookie).
The ‘dapper’ Reggae Sumfest Owner Josef Bogdanovich is honoured for his major contribution to Jamaica’s entertainment industry.
Illustrious guests gathered at The Gleaner’s North Street offices in Kingston yesterday for the first of three category luncheons to recognise this year’s recipients of the RJRGLEANER Honour Awards. Recipients, aglow with pride, exuded humility as they took the spotlight, reflecting on the year that was and offering a peak into the future.