Tag: ReggaeFestivals

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Jamaica again!

JAMAICA has long been known to be a cultural powerhouse since the days of Bob Marley. It is a small island that impacts culturally on the rest of the world mainly through its music.

I am in this country at the moment enjoying the sweet spirit of the passionate, fun-loving and friendly Jamaican people.

Reggae music was born in Jamaica. That is a known fact, but many subcultures have merged reggae with their own music to create new genres such as Zimdancehall, hip-hop, and reggaeton. Jamaica is also the birthplace of Rastafarian culture.

At the weekend beginning June 1, I was supposed to attend the One World Ska and Rock Steady Music Festival in Sabina Park, Kingston, but the line-up of artistes billed for this festival did not impress me enough to part with my $50. The only group I had heard of before was Toots and The Maytalls. There were artistes such as Delroy Thompson and Ansell Collins whom I had never heard of before. Most of the artistes I wanted to see performing there were abroad entertaining patrons in America and Europe. How I wish I could extend my vacation so that I can watch some of the most talented Jamaican artistes who will descend on Montego Bay next month for the popular Reggae Sumfest.

Montego Bay, affectionately referred to as MoBay by the majority of Jamaicans, hosts thousands of festival goers every year at Reggae Sumfest.

Instead of attending the One World Ska and Rock Steady Music Festival, I spent time with an old friend, Boisie Woolcock, author of the 1970s monster hit I Wonder and a close associate of Bob Marley. Together, after briefly stopping at Sir Jimmy Cliff Bay (yes, the Jamaican government has honoured Jimmy Cliff for all his contributions over the years in promoting Jamaican culture with his music and acting prowess in films such as The Harder They Come), we visited The Bob Marley Museum at 56 Hope Road in Kingston and then The Peter Tosh Museum, both of which gave me a new insight into the lives of the two reggae icons as I saw new memorabilia of their lives.

The Bob Marley Museum has undergone some structural upgrades and renovations to enhance the visitor experience since the last time I visited Jamaica.

Musically, things have also changed in Jamaica. Dancehall seems to be dominating the musical scene everywhere. New tunes such as Chant It by Sevana, Blood Money by Protégé and Humble Mi by Jah 9 seem to be the happening tunes of 2018.

Ten years ago you would hear only Bob Marley tunes such as One Love and Three Little Birds playing all over Jamaica, but today there is a variety of popular tunes such as Chronixx’s Smile Jamaica and from the old school collection songs like Third World’s Try Jah Love.

Woolcock and I straddled past the late Gregory Isaac’s home and he said to me: “You know what, Fred? I was there when Gregory wrote Night Nurse. A lot of people think that song is about a real nurse, but what Gregory had in mind was completely different from the interpretation many people make from the song. Night Nurse is actually cocaine. Gregory used to take it at night and he would sing ‘Only you alone can quench this your thirst. I don’t wanna see no doctor. I need attention from my nurse around the clock’”

“Really?” I said. “I have often thought that I was a genius, but this one, I never worked it out,” I told him.

We moved on to New Kingston’s Courtleigh Auditorium to attend a commemoration concert for the late Sugar Lincoln Minott, who died from a heart problem on July 10, 2010. It was quite revealing. I had known of Sugar Minott from long ago when I collected hundreds of reggae records, but had never considered him among the big Jamaican artistes. So you can imagine my surprise on seeing thousands of reggae lovers in this auditorium remembering their music hero. Apparently Sugar Minott did a lot of work with the youths and other aspiring artistes in Jamaica. He liberated them from the doldrums of poverty through the formation of his Black Roots record label and Youth Promotions Organisation where any talented youngster would come and get assistance in recording their music and having it published and distributed without any payment. Most of these youths would then come to Sugar Minott if their record was doing well to receive their royalties.

I am told that his organisation was responsible for bringing up Jamaican artistes such as Tony Tuff, Barry Brown, Junior Reid, Tenor Saw, Jah Stitch, Captain Sinbad and dozens of others.

Among Sugar Minott’s stand-out cuts were This Old Man, Get Ready Rock Steady, Party Night, Youth of Today, Mysterious Nature and No Cup No Broke.

We moved on to have lunch at Dunns River Falls in Ocho Rios, St Ann, a smaller version of our Victoria Falls but attracts over 50 times the number of tourists. Even the legend of Bob Marley comes alive as you walk through his home location in the village of Nine Miles. This is the very house Bob lived in as a young boy and we met so many people, now in their 70s, who knew him as a little boy. Each one had a story to tell. One told me how Bob was great as a footballer and another told me how they shared the same girlfriend and how they fought over her. I also met Lee Perry’s aunt who claimed that her nephew wrote many of the songs Bob recorded. This experience gave me first-hand knowledge of the life and times of the great musician from the people who lived there with him.

A lesson for Zimbabwe’s tourism industry and culture ministry: If you design cultural programmes for the thousands of unemployed youths who are in this country and assist them to develop them, they will feel a sense of responsible citizenship. One or two might rise to be Zimbabwe’s ambassadors in the near future and will do all of us proud as Bob Marley has done for Jamaica.

Do not look down on culture. In Jamaica it is drawing hundreds of thousands of tourists every year and has become the biggest economy booster in that tiny island. We can also do it. Come on now!

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Launch Events Countdown to Jamaica's Reggae Sumfest Next Month

Launch Events Countdown to Jamaica’s Reggae Sumfest Next Month

Launch Events Countdown to Jamaica's Reggae Sumfest Next Month

The momentum leading up to Reggae Sumfest, dubbed “reggae nirvana” (New York Times) and “quite simply the be-all and end-all of reggae festivals” (Forbes), builds with anticipation before its 8-day takeover in Montego Bay next month (July 15-22).

Following NYC’s Reggae Sumfest launch party in April, events in Kingston (May 30) at Usain Bolt’s Tracks and Records and Montego Bay (May 18) at the Iberostar Suites transpired to gear up for the festivities. This Sat. June 9, Red Stripe Presents Reggae Sumfest will take over Miami’s Wynwood Artwalk for the official countdown to the festival. The launch will feature live DJ sets and a performance by Jamaican singer Christopher Martin, who has performed on the Reggae Sumfest stage multiple times.

At the Kingston launch event last week, which featured performances by Bounty Killerand Capleton, Chairman and CEO of Downsound Entertainment (DSE) and Owner of Reggae Sumfest Joe Bogdanovich highlighted the festival’s growth. According to Bogdanovich, who acquired the brand in 2016, “Our streaming attendance [which was introduced in 2016] transformed Reggae Sumfest into a truly international festival with a live fan attendance of close to a million. In our aftermath, over 10 million have watched online and the numbers are increasing daily. This says a lot for the concept ‘Our Music, Our Festival.’ This year’s lineup is simply awesome. We have expanded the festival to eight days with seven preview and post events and two weekend live stage shows. 2018 looks promising. ”

In addition to the title sponsor Red Stripe, MasterCard, NCB, JetBlue Airlines, and Grace Kennedy are new sponsors this year with JetBlue as the presenting partner for the live stream.

Reggae Sumfest 2018 marks 26 years of stellar Jamaican entertainment. The year’s annual affair begins with a variety of pre-parties including the Colourfest Beach Party on Sun. July 15, Sumfest Street Dance on Mon. July 16, All-White Party on Tues. July 17, The Blitz All Black Party on Wed. July 18 featuring Stefflon Don and Safaree and Sumfest Presents Irish & Chin World Clash 20th Anniversary on Thurs. July 19. The festival’s two main concert nights take place at the historic Catherine Hall venue on Fri. July 20 and Sat. July 21 featuring live performances from Popcaan, Sizzla, Aidonia, Sasco, Masicka, Spice, Beres Hammond, Damian “Jr. Gong” Marley, Maxi Priest and many more. Patrons can access updates on the line-up, tickets and events on the official website: www.reggaesumfest.com.

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International interest in Sumfest

Reggae Sumfest partners with Mastercard and JetBlue for new benefits to patrons

BY BALFORD HENRY
Friday, June 08, 2018

Reggae Sumfest boss Joe Bogdanovich, chairman and CEO of Downsound Entertainment (DSE), producers of the iconic Jamaican music festival, has landed a partnership with global payments giant Mastercard.

“The initiative with Mastercard is one which will see us taking the first step towards a cashless festival,” Bogdanovich told the Jamaica Observer.

“Mastercard is a leading global payments and technology company and with its ongoing help, we will continue to take Reggae Sumfest into the technological age,” he added.

This is the second partnership agreement with an international company announced by Bogdanovich since the recent launch of the festival, scheduled for July 15-21 this year at Catherine Hall, Montego Bay.

Last week, he announced that North American carrier JetBlue Airways had been confirmed as one of the premium sponsors of Reggae Sumfest 2018.

According to Bogdanovich, DSE, which acquired the Sumfest Brand in 2016, welcomed the addition of JetBlue to the raft of sponsors.

“The fact that JetBlue, an overseas-based company, recognises the value of the Reggae Sumfest brand on the global scene, clearly demonstrates its growth in influence and importance over its history,” he said.

“Jamaican music, since the 1960s, with the emergence of icons such as Bob Marley, Toots Hibbert, and Jimmy Cliff, has not only captured the imagination of numerous people across the globe but has been integral to the mushrooming of Brand Jamaica. Reggae Sumfest is, perhaps, the most influential vehicle to leverage and sustain Brand Jamaica and further promote the island and its music,” he noted.

Sepp Donahower, director, global marketing for DSE, pointed out that JetBlue is the official and exclusive airline partner for Reggae Sumfest 2018, and would be the presenting sponsor for the live stream of the festival on all DSE platforms.

Since the acquisition of Reggae Sumfest, DSE has been engaged in bringing world-class high production live streaming and video content of the festival to the world on multiple platforms.

In 2017, Reggae Sumfest’s live stream and uploaded videos recorded more than 1,250,000 views. This year, it is expected to continue this explosive streaming and viewing growth, which brought JetBlue in as a presenting partner for the stream.

Fans will be able to access the live stream through the live streaming page on the festival website reggaesumfest.com, even though, as Bogdanovich pointed out, “there is nothing that can replace the energy and excitement of being at Catherine Hall live”.

JetBlue is New York’s hometown airline and a leading carrier in Boston, Fort Lauderdale-Hollywood, Los Angeles (Long Beach), Orlando, and San Juan. The airline carries more than 40 million passengers a year to 102 cities in the US, Caribbean, and Latin America with an average of 1,000 daily flights.

“We are very proud of what we have been able to achieve in the past two years. We built on the firm foundation laid by the Summerfest team, and it is our intention to grow the festival further. In keeping with that objective, we are offering patrons more and more each year,” Bogdanovich said.

“The use of credit, debit, and prepaid cards and other types of cashless payment options provide a safer and more convenient way for people to shop, and we are pleased to be able to introduce some of these options for Reggae Sumfest,” he said.

“While this year we are offering the more traditional payment options, we look forward to working with Mastercard, which we hope to be our long-term partner, to introduce many more innovative technological solutions to Reggae Sumfest in the years to come,” he stated.

Uhriel Bedoya, Mastercard country manager, Jamaica, Trinidad & Tobago, Bermuda, and Haiti, said his company was very excited to partner with Sumfest and to expand the benefits of electronic payments to patrons.

“With extensive experience in supporting the growth of payments, Mastercard is uniquely positioned to provide the platform that can propel Sumfest along increasingly ambitious growth paths,” he added.

He said that one of the major thrusts for Mastercard’s relationship with the festival this year is to offer a 20 per cent discount on tickets for the main festival, on July 20 and 21, when customers pay with a Mastercard branded prepaid or credit card. Additionally, with the Mastercard Fast Lane Entry to the event, Mastercard cardholders can skip the general admission line.

What is more, when concertgoers purchase their tickets with their Mastercard, they will gain entry to an exclusive Mastercard parking area. If the parking reaches maximum capacity, the Mastercard card will give you access to the Mastercard shuttle service.

This year Sumfest will also be introducing another new element into the mix — the Sumfest Mall, which will showcase a variety of authentic Jamaican products for sale.

Marcia McDonnough, Sumfest marketing consultant, said that the producers are very excited about the Sumfest Mall, as it will further enhance the festival experience by offering up to 24 curio shops with a delightful array of fascinating objects of art, craft, jewellery, clothing, leisure products and souvenirs that will serve as mementoes of patrons’ visit to Reggae Sumfest.

“We have carefully selected our merchants to make sure we present top-class items which for the most part are original works and also Jamaican-made. The relationship with Mastercard and the focus on ensuring that we have the equipment that will accept credit and debit cards all across the venue will make it easy for patrons to ensure they leave the festival with something special,” she noted.

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Vendors welcome cashless Sumfest

June 06, 2018
Dorrette Watson, owner of D’Nex Step Sandals and Accessories showing off her creations at Reggae Sumfest launch held yesterday at Downsound Records on Belmont Road.
Local entrepreneurs who will be selling items at this year’s Reggae Sumfest are praising organisers of the festival on their decision to go cashless.

The announcement was made at the headquarters of Downsound Entertainment yesterday.

Sumfest will partner with Mastercard to give patrons a safer, more efficient way to purchase items come July 15 to 22.

With the Sumfest team introducing a ‘mall’ concept this year, in terms of the set-up for vendors, the cashless system will maximise the consumer’s shopping experience at Catherine Hall.

“We’ve always had vendors at the festival but the way we are presenting them this year is a bit different. We will be making sure we have those credit card machines all over the venue, anywhere you will need to make a purchase, if it’s drinks, more tickets at the venue, the food court or the mall,” said Marcia McDonnough, marketing consultant for the festival.

Present at the media briefing, disclosing the details of the partnership with a few of the vendors who will be stationed at this year’s mall.

Pointing out that not only is the cashless option safer for patrons, a few of the vendors highlighted that the move may maximise their earning potential.

Randy McLaren, managing director of Bresheh Enterprises, that sells locally made knapsacks, totes, laptop sleeves and pencil pouches, applauded the Sumfest organisers on the Mastercard deal.

“Going cashless makes sense because I don’t think a lot of people necessarily want to walk with a lot of cash, and when you come to a festival like Reggae Sumfest, there is so much more to do than just watch the show. There are a lot of vendors selling stuff and people will pass through, like something, and don’t have the money just because they didn’t want to walk with a lot of cash,” he said. “This will be my first year selling at the festival but I’m looking forward to some good sales with the card system in place.”

Dorrette Watson, owner of D’Nex Step Sandals and Accessories, also welcomed the idea.

“I know for a fact that when people come to these festivals and they stop by the stalls they will see something they like. Many of them will want to buy but not have the cash. With the card, you can get what you want on the spot,” she said.

For potential patrons without a Mastercard, Uhriel Bedoya, Mastercard country manager, encouraged patrons to get one before making the trek to Montego Bay.

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Sumfest Goes Cashless – 20% Off Tickets For Mastercard Users While Supplies Last

Published:Wednesday | June 6, 2018 | Shereita Grizzle/Gleaner Writer

Marketing consultant for Reggae Sumfest, Marcia McDonnough (left), Joe Bogdanovick of Downsound Entertainment (second left), Robert Russell of Reggae Sumfest (second right) and Uhriel Bedoya, Mastercard Country Manager for Jamaica, Trinidad and Tobago, Haiti and Bermuda, at Downsound’s Belmont Road, New Kingtston, offices yesterday.

For the first time in the festival’s 26-year history, Reggae Sumfest will be going cashless. The announcement was made yesterday morning at Downsound Entertainment’s headquarters on Belmont Road, New Kingston. Sumfest has partnered with global payments giant Mastercard, so come July 15-22, patrons will be able to make purchases at all the different facilities set up at Catherine Hall, Montego Bay.

The Sumfest team explained that with the global technological environment experiencing continued expansion, it is only fitting that a world-renowned festival get with the times. “My mission is to continue to push the envelope in terms of technology, as we’ve done with our live streaming and now the partnership with Mastercard to enter a cashless environment, which is where the world is and where the rest of the world is catching up to,” said Downsound’s Joe Bogdanovich. “For me, in order for us to continue the growth of Reggae Sumfest and compete with the best festivals in the world, we need international sponsors, and it’s great that Mastercard has jumped on board.”

In their official press release about the partnership, Bogdanovich expressed a desire to work with the Mastercard team on a long-term basis. Yesterday, Uhriel Bedoya, Mastercard country manager for Jamaica, Trinidad and Tobago, Haiti and Bermuda, said “Partnering with Sumfest is tremendous, because we meant it when we said we are committed to Jamaica as a market. Our partnership with Sumfest is just the beginning, so stay tuned. We don’t make commitments on one-year basis or short term, we are looking to make longer-term commitments, so this is a way to start our Jamaican journey. For us, Sumfest is about the experience, and we want to make sure the attendees at Sumfest have a seamless experience from the moment they acquire their tickets.” While supplies last, Sumfest tickets purchased with a Mastercard at any of the outlets will see the buyer obtain a 20 per cent discount.

SAFETY CONCERNS

Safety also played a role in Sumfest’s decision to go cashless. Not keen on speaking too much on the crime situation and the state of emergency – or enhanced security measures – currently on in St James, the Sumfest organisers explained that cashless is a way they can help to ensure patrons have a safe experience. “We know how it is sometimes; you don’t want the security risk of having a lot of cash on you. We are working with the cashless environment, so you don’t have to walk with cash at all. We are also doing it so that if you don’t have enough cash, you have your card,” explained marketing consultant for Reggae Sumfest, Marcia McDonnough.

She also revealed that with the introduction of a Sumfest Mall, this year, the shopping experience patrons are accustomed to will be maximised. “We’ve always had vendors at the festival, but this is the first year we will have them set up in a mall-like setting. The way we are presenting them this year is a bit different, and the major difference is that we will be accepting cards in these areas,” she said. “We will be making sure we have those credit card machines all over the venue, anywhere you will need to make a purchase, if it’s drinks, more tickets at the venue, the food court and the mall.”

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STAR of the Month: Shane O, the comeback kid
by Kimberley Small
June 01, 2018

Many will remember him as the high school student who blazed dancehall with his brilliant song, ‘Lightning Flash’. Lately, airwaves have been choked with the rotation of his recent hit, ‘Last Days’, as well as the follow-up banger, ‘Partner Draw’. For the month of June, stay tuned as THE STAR reintroduces Shane O, dancehall child star turned formidable dancehall artiste.

For years, the artiste said that he was out of the public eye, toiling behind the scenes of the local music industry, a fact he says is no one’s doing but his own. This year, Shane O has returned and appears to be ready to roll.

“Mi used to go a my bed a night time and seh, ‘bwoy! A when mi a get my chance fi go every weh like everybody?’ See it deh! Is a ting weh me always prepare for and a wait because mi know it did a go come back, enuh. Cyaa blame people. Yuh haffi just keep up yuh work,” he told THE WEEKEND STAR.

To answer how the public has been responding to his return, Shane O scrolled his phone’s gallery for a moment before pulling up a video clip of a recent performance. The clip showed Shane O performing Partner Draw, with the crowd yelling the song’s lyrics back at the deejay with enthusiasm.

“Yuh see the crowd? If yuh nah work, dem a go walk past yuh. So anytime when yuh get a chance, yuh just haffi try keep up. Mi just a gwaan put out song. If it nah work, mi a work. Yuh just haffi work with the crowd. Wah me a go do? Mi a just do weh mi haffi do. When you keep up, them will always link yuh. If yuh nah work, who a go link yuh?” he said.

“Yuh haffi be a Bounty Killer or a Beenie Man weh constantly have song even if a nuh hit song. Yuh constantly have song weh inna some kinda rotation,” echoed his manager, Heavy D.

Shane O’s return to the dancehall arena will be marked by a performance on the coveted Reggae Sumfest stage this year. The comeback kid has already been making the rounds, and by all appearances, his fans are as excited as he is about the renewed vitality of his career.

As for how it feels for Shane O to be rocking stages again?

“Bwoy, it feel good, man. Mi just a bounce all bout and gi’ dem a style! A great feeling! A great feeling dat, man, see dem a sing out word for word,” the artiste exclaimed.

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All-Jamaican Format And Repeat Acts – Familiar Faces A Paying Audience’s Guarantee

Published:Saturday | June 2, 2018 | Mel Cooke/Gleaner Writer

Sanchez

In yesterday’s Gleaner publication, Downsound Records’ Josef Bogdanovich said that going all-Jamaican with Reggae Sumfest has not hurt the company financially, although he noted that Jamaican acts were not cheap to hire. I enthusiastically applauded the move to axe the international (overwhelmingly American R&B and hip-hop acts) from the summer event and pointed out that with the development, Sumfest draws closer to the successful Rebel Salute model.

However, this also means that both festivals have ended up in the same position: having a high number of repeat acts. This is almost a given on Sumfest’s Dancehall Night as there are precious few headliners, so Bounty Killer, Beenie Man, Sizzla and Spice are among those who have been – and will continue to be – in the mix

For this year’s Sumfest, the organisers are heavily touting Maxi Priest (who is not a regular face on stage in Jamaica); Beres Hammond (who was honoured by Sumfest in 2011 when he returned from a three-year hiatus); and Damian ‘Jr. Gong’ Marley (who performed in 2009, 2012, and 2013).

The gaps between most recent performances and this year take them out of the immediate repeat category as happened with Sanchez with back-to-back showings in the first two years of Sumfest’s all-Jamaican format. Not that people minded as he put on a sterling show each time, the first after an extended absence from the big stage in Jamaica.

Understand Realities

Much can be muttered about repeat performers, but there are some realities that must be understood. Putting on an outdoor event, much less one of the magnitude of Sumfest, is an inherently very risky venture. It can rain; there may be a flare-up of violence along one of the main routes to the venue (or a big accident that causes a traffic snarl); a headline performer may get diarrhoea; two crews may get into a bottle-throwing match inside the grounds and there’s a stampede.

Those are things that can happen in the day. What the organisers can determine is the pulling power of their line-up, and that means going for the familiar. As good as the idea of breaking young talent is – and there is a section for that – check how many of those performers go on to be top draws : very, very few.

Plus, it takes lots of time for a guaranteed pulling card to be developed, not only in terms of the individual’s proficiency, but also the growth of a paying audience, which may have bonded with the performer when they were still checking Mommy for lunch money.

So those who take no risks with their concert-staging money, or hard-earned cash to go to a ‘stage show’, can quibble. Those who put their money where their music is need a guarantee, and the familiar faces are it (although there are many times I really wish it was not so).

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 Kingston Launch of Reggae Sumfest, May 30, 2018

  

    

 

Transcript of Speech Given by Josef Bogdanovich 

Good evening. Welcome.

The  Honourable Olivia Grange, His Worship The Mayor  Senator Councillor Delroy Williams, distinguished guests, ladies and gentlemen….

DSE became an owner of Reggae Sumfest officially in May, 2016  a little over two years ago.

Local audience attendance in our first year increased substantially from the previous year. We also introduced our Live Stream that connected fans globally opening our gates to hundreds of thousands.

2017 local attendance increased significantly with fans on Dancehall Night remaining well into daybreak to near capacity. This was a sight witnessing the power of Peace & Love and has been etched in many fans memory, perhaps forever.

Our streaming attendance transformed Reggae Sumfest into a truly

international festival with an international live fan attendance close to a million and in our aftermath literally 10’s of millions watching on line and increasing daily. This says a lot for the concept “Our Music, Our Festival”.

2018 looks to be even more promising. This year’s line up is simply awesome. We have expanded the festival to 8 days with 7 preview and post events and 2 weekend live stage shows.

 

Last year we introduced the food court which was a hit and this year we are introducing the Merchandise Mall featuring 18 local vendors with their goods.

 

We have also introduced a  daytime Symposium appealing to local folks who want to learn more about the industry and how to get involved.  This Symposium will also embrace ideas in support  of the intellectual cultural experience that many abroad thirst for. Reggae Sumfest – something for everyone. I also want to recognise the addition of three new sponsors Master Card, Jet Blue, NCB and Grace.

 

And now for the reality that I’m sure is on peoples minds. The state of emergency order that began in January of this year and has been continued to August 2nd has returned peace and tranquility to Montego Bay.  Over the months I think it’s now safe to say that a wave of fresh air has returned to Montego Bay where people feel safe and the smile of optimism can be seen on many faces. I have been told that tourism numbers continue to increase and from the looks of things July will be another bumper month for the city, the festival and the country. I and other team members are in discussion with the police and the government and I believe we all recognise the positive energy that Reggae Sumfest brings to the people of Montego Bay and to the country. I’m confident that the government will do the right thing and I’m confident that the people will do the right thing. Let’s celebrate together, Our Music, Our festival – Reggae Sumfest.  Thank you.

 

Remarks by the Minister of Culture, Gender,
Entertainment and Sport
the Honourable Olivia Grange, CD, MP
at Launch of Reggae Sumfest 2018
Usain Bolt’s Tracks and Record
30 May 2018
Salutations

I think that all who have shared in the Reggae Sumfest experience over the last 25 years will agree that the promoters have got it just right.

This is indeed the greatest Reggae festival on earth.

I am proud to see the continuation over the years and the value that Reggae Sumfest has brought and continues to bring to Jamaica’s music industry.

Before Reggae Sumfest, there was Reggae Sunsplash and I want to pay tribute to those who gave of their time and effort to make it a reality.  That event gave birth to a large number of festivals around the world including Rottotom Sunsplash, Reggae on the River and numerous others across all continents.

So it is time again to experience “Our Music” right here at home. Reggae Sumfest 2018 in Montego Bay!

I have so many fond memories of this festival since its beginning in 1993.  I applaud the work of the production teams past and present and I commend the vision of Joe Bogdanovich.  He has moved Reggae Sumfest further into the technological sphere while keeping it authentically Jamaican.

Personally, I am looking forward to the “World Sound Clash” event on Thursday, July 19 featuring Tony Matterhorn, Mighty Crown, Pink Panther and Ricky Trooper.

The Street Dance on Monday, July 16 on the Hip Street also taps into our authentic Jamaican culture which so many visitors crave and travel to experience each year.

The Breakfast Party fits into an evolving 24-hour party vibe that is becoming quite popular in our entertainment landscape.

The best artistes in Reggae and dancehall will be on show come July 21 and 22.  Based on the line-up, this may be one of the best years of Reggae Sumfest.

This evening, I also want to speak to you a little about the importance of sustaining festivals such as Reggae Sumfest that highlight Jamaican music and culture.  We know for a fact that worldwide it is the Culture and Creative Industries that are leading the growth of the economies of many countries.

In addition, within the creative industries, it is the festivals, and what is now dubbed “the Festival Economy” that are providing economic sustainability across the world.

I am determined that our festivals, particularly our music festivals, will play a significant role in building the economy.  So many people benefit from our music festivals — from the big executives, to event planners, to production teams, to artistes and performers, to vendors, to the peanut man, to the dressmakers, to taxi operators.

There is space for everyone to earn in the festival economy.

On June 13, the Ministry of Culture, Gender, Entertainment and Sport will partner with the British Council and the JCDC to host an all-day seminar and workshop called “Festival X”, to equip our festival organisers with the information, technical support and seed funding to ensure that we “up di ting” in professionalism and creating unforgettable experiences.

In applauding the Reggae Sumfest Team, I wish to pay tribute to Robert Russell for his commitment to Reggae Sumfest, working along with Joe who has put his money were his mouth is.

My Ministry is working to unearth and develop creative talent and business capacity towards building the festival economy and delivering prosperity to our people.

 

Congratulations again and I anticipate another wonderful staging of the greatest Reggae show on earth — Our Music, Our Festival.